From the Cathedral to the Opera Stage

Marina G. Ritzarev

doi:10.21638/11701/spbu15.2017.201

Авторы

Marina G. Ritzarev Университет Бар-Илан

DOI:

https://doi.org/10.21638/11701/spbu15.2017.201

Аннотация

The article focuses on the historical coincidence: two operas based on the Gospel plot had their premieres under two different cultural milieu but very close in time: the rock-opera Jesus Christ Superstar by Andrew Lloyd Webber and Tim Rice (1971, Broadway, New York) and the Russian avant-garde chamber opera Master i Margarita by Sergei Slonimsky (1972, Leningrad, concert performance), after M. Bulgakov’s novel The Master and Margarita. The article examines the cultural and historical conditions that preceded these operas so different in their styles, audiences, and fates.

Ключевые слова:

Jesus Christ Superstar, Andrew Lloyd Webber, The Master and Margarita, Sergei Slonimsky, Mikhail Bulgakov, Gospel, passion play, opera, rock-opera, passion-opera, Christology, myth, Pathos, Ethos

Скачивания

Данные скачивания пока недоступны.

Биография автора

Marina G. Ritzarev, Университет Бар-Илан

доктор искусствоведения, профессор

Библиографические ссылки

References

1. Fink M. Inside the Music Business. New York, Schirmer Books Publ., 1989.

2. Ritsareva M. Kompozitor Sergei Slonimsky. Monograph. Leningrad, Sovetskiy kompozitor Publ., 1991.

3. Singer M. “Cinema Savior,” Film Comment, XXIV/5 (Sept.-Oct. 1988).

4. Hunter D. The Beatles: The Authorized Biography. New York, Del Publishing, 1969.

5. Mellers W. The Music of the Beatles: Twilight of the Gods. New York, Schirmer Books, 1973.

6. Milne L. Mikhail Bulgakov: A Critical Biography. Cambridge University Press, 1990.

7. Berger, Karol, Bach’s Cycle, Mozart’s Arrow: an Essay on the Origins of Musical Modernity. Berkeley, CA, University of California Press, 2007.

8. “Quest for the historical Jesus”. Available at: https://en.wikipedia.org/wiki/Quest_for_the_historical_Jesus (accessed: 26.01.2017).

9. Bruhn S. Jesus and Satan in Moscow: Three Late-20th-century Operas on Bulgakov’s Novel. JMM 4,Winter 2007, section 2. Available at: http://www.musicandmeaning.net/issues/showArticle.php?artID=4.2 (accessed: 28.01.2017).

10. Weaver W. P. The Historical Jesus in the Twentieth Century: 1900–1950. Trinity Press International, Harrisburg, PA, A&C Black Publ., 1999.

11. Sachs C. The Commonwealth of Art: Style in the Fine Arts, Music and the Dance. New York, W. W. Norton & co. Publ., 1946).

12. Corliss R. “Body… And Blood,” Film Comment. XXIV/5 (Sept.-Oct. 1988).

13. Bowker J. Problems of Suffering in Religions of the World. Cambridge, Cambridge University Press, 1970.

14. Gilet P. Vladimir Propp and the Universal Folktale: Recommissioning an Old Paradigm — Story as Initiation. New York, Peter Lang Publ., 1998.

15. Eliade M. Shamanism: Archaic Techniques of Ecstasy. Transl. by R. Trask Willard. Princeton: Princeton University Press, 1972.

16. Walsh M. A. Andrew Lloyd Webber: His Life and Works. London, Penguin Group, 1989.

17. Sergei Slonimsky gotovitsya k ispolneniyu svoey opery “Master i Margarita” [Sergei Slonimsky prepares to the performance of his opera Master i Margarita], 22.06.2012. Available at: athttp://www.belcanto.ru/12062228.html (accessed: 04.02.2017).

18. Ritzarev M. Tchaikovsky’s Pathétique and Russian Culture. Ashgate, 2014.

19. H. W. Montefiore, “Jesus, the Revelation of God”. Christ for Us Today: Papers read at the Conference of Modern Churchmen, Somerville College, Oxford, July 1967. Ed. by N. Pittenger. London, SCM Press, 1968.

20. Bruhn S. Christus als Opernheld. Gorz, 2005.

21. Bruhn S. Saints in the Limelight: Representations of the Religious Quest on the Post-1945 Operatic Stage. Pendragon, 2003.

22. Suárez J. A. Bike Boys, Drag Queens, and Superstars: Avant-Garde, Mass Culture, and Gay Identities in the 1960s Underground Cinema. Bloomington, Indianapolis, Indiana University Press, 1996.