Clavier toccatas by J. S. Bach. On the question of genre genesis
Abstract
The article addresses the questions of genesis of clavier toccata and its development in the works by J. S. Bach. The author also reveals the traces of non mesurée French preludes compositional structure in the clavier toccatas by J. S. Bach.
Keywords:
clavier, toccata, prelude, fantasia, fugue, arpeggiando
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References
Литература
1. Бах И. С. Токкаты. BWV 910–916. Уртекст. Neue Bach-Ausgabe. М.: РМИ, 2005. 125 c.
2. Marshall R. Organ or “Klavier”? Instrumental prescriptions in the sources of the keyboard works // J. S. Bach as organist, his Instruments, Music, and Performance Practices. Batsford; London: Indiana University Press, 1986. P. 193–211.
3. Wolff Chr. The Identity of the «Fratro Dilettissimo» in the Capriccio B-Flat Major and Other Problems of J. S. Bach’s Early Harpsichord Works // The Harpsichord and Its Repertoire: Proceedings of the International Harpsichord Symposium, Utrecht 1990. Utrecht: STIMU Foundation for Historical Performance Practice, 1992. P. 145–156.
4. Kircher A. …Musurgia universalis sive ars magna consoni et dissoni: in X libros digesta. Romae: Ex Typographia Haeredum Francisci Corbelletti, 1650. Libro I. 690 p.
5. Jones R. The keyboard works: Bach as teacher and virtuoso // The Cambridge Companion to BACH. Cambridge: Cambridge University Press, 1997. P. 136–153.
6. Frescobaldi G. Toccate e Partite d’intavolatura di cimbalo… libro primo. Kassel u. a.: Bärenreiter, 2010.
7. Brossard [S. de (l’Abbé)]. Dictionnaire des termes grecs, latins et italiens, dont on se sert fréquemment dans toutes sortes de Musique, & particulierement dans l’Italienne. Paris: [Jean-Baptiste-] Christophe Ballard, 1701. 380 p.
References
1. Bakh I. S. Tokkaty. BWV 910–916. Urtekst. Neue Bach-Ausgabe. Moscow, RMI, 2005. 125 p. (In Russian)
2. Marshall R. Organ or “Klavier”? Instrumental prescriptions in the sources of the keyboard works. J. S. Bach as organist, his Instruments, Music, and Performance Practices. Batsford; London, Indiana University Press, 1986, pp. 193–211.
3. Wolff Chr. The Identity of the «Fratro Dilettissimo» in the Capriccio B-Flat Major and Other Problems of J. S. Bach’s Early Harpsichord Works. The Harpsichord and Its Repertoire: Proceedings of the International Harpsichord Symposium, Utrecht 1990. Utrecht, STIMU Foundation for Historical Performance Practice, 1992, pp. 145–156.
4. Kircher A. …Musurgia universalis sive ars magna consoni et dissoni: in X libros digesta. Romae, Ex Typographia Haeredum Francisci Corbelletti, 1650, libro I. 690 p.
5. Jones R. The keyboard works: Bach as teacher and virtuoso. The Cambridge Companion to BACH. Cambridge, Cambridge University Press, 1997, pp. 136–153.
6. Frescobaldi G. Toccate e Partite d’intavolatura di cimbalo… Libro primo. Kassel u. a., Bärenreiter, 2010.
7. Brossard [S. de (l’Abbé)]. Dictionnaire des termes grecs, latins et italiens, dont on se sert fréquemment dans toutes sortes de Musique, & particulierement dans l’Italienne. Paris, [Jean-Baptiste-] Christophe Ballard, 1701. 380 p.
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Published
2012-03-15
How to Cite
Burundukovskaya, E. V. . (2012). Clavier toccatas by J. S. Bach. On the question of genre genesis. Vestnik of Saint Petersburg University. Arts, 2(1), 216–219. Retrieved from https://artsjournal.spbu.ru/article/view/1446
Issue
Section
Music
License
Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.
