Artistic specificity of a word in conversational genres
Abstract
Training of an artist of conversational genre requires knowledge and understanding of artistic specificity of work with the words on stage. The article reveals these features and analyses them in detail. Special attention is drawn to playing nature of the stage art which require advanced imagination, ability to perceive and reproduce the comic, ability to write, to improvise and to talk to the public.
Keywords:
stage, conversational genre, word, play, specificity
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Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.