The Demidoff Church in the San Donato Estate in Florence

Authors

DOI:

https://doi.org/10.21638/spbu15.2018.405

Abstract

The article is about the decoration of the former Demidoffs’ house church in the villa of San Donato. A part of it is now located in the church of the Nativity of Christ and St. Nicholas the Thaumaturge in Florence (architect M. T. Preobrazhensky). The author has suggested the probable appearance of the house church in the villa of San Donato based on notes of contemporaries, analysis of the palace’s blueprints and the remaining elements of the decoration. The ecclesiastical purpose of the surviving building of the “Demidoffs ex-chapel” has been questioned and analyzed, based on D. Silvestri’s original sketches, from which it follows that this is the building of the Odeon — a concert and theater hall. Particular attention is paid to the carved decoration of the church, made in A. Barbetti’s workshop, to the iconostasis and the gallery of local and small icons. Local icons of the iconostasis and icons of the apostles executed in an academic manner by famous religious painter V. V. Vasilyev. However, the gallery of small icons of the second tier of the iconostasis and the doors-kiots is stylistically close to the icon-painting of the 17th century. Also, based on historical analysis and analysis of style, the author sets up a hypothesis that the gallery of small icons from Demidoffs’ church belong to “Nevyansk” or “Peshekhonovsk” icon-painting schools.

Keywords:

Demidoff the Prince of San Donato, Church of the Nativity of Christ and St. Nicholas the Thaumaturge in Florence, M. T. Preobrazhensky, D. Silvestri, A. Barbetti, V. V. Vasilyev, “Nevyansk” icon-painting, “Peshekhonovsk” icon-painting

Downloads

Download data is not yet available.
 

Author Biography

Vitaliy V. Zherdyev, Kharkov State Academy of Design and Arts

PhD, Associate Professor of the Department of Academic Drawing, Doctoral Student of the Kharkov State Academy of Design and Arts, Member of the National Union of Artists of Ukraine

References


References

1. Prato, Cesare Da. Firenze ai Demidoff. Pratolino e S. Donato. Relazione storica e descritiva preceduta da cenni biografi sui Demidoff. Firenze: Tipografia di Pia Casa di l’altronato, 1886.

2. Sisi, Carlo. “Carlo Morelli”. In Istituto della enciclopedia italiana. Dizionario Biografico degli Italiani, redattore capo Serena Andreotti, vol. 76. Roma: Abramo Printing & Logistics S. p. A. — Catanzaro, 2012. Accessed June 1, 2018. http://www.treccani.it/enciclopedia/carlo-morelli_res-7368b8ec-9476-11e1-9b2f-d5ce3506d72e_(Dizionario-Biografico).

3. Giamperi, Innocenzo. La favola di Psiche, dipinta in undici quadri a buon fresco per commissione di S. E. il sig. conte commendatore Anatolio Demidoff in una sala della di lui villa al Ponte alle Mosse dal pittore Carlo Morelli Innocenzo Giampieri. Firenze: per Leonardo Ciardetti, 1836.

4. Frosini, Dino. “Angiolo Barbetti”. In Istituto della enciclopedia italiana. Dizionario Biografico degli Italiani, vol. 6. Roma: Libri vintage, 1964. Accessed May 24, 2018. http://www.treccani.it/enciclopedia/angiolo-barbetti_(Dizionario-Biografico).

5. “Pravoslavnye russkie tserkvi za granitsei”. Russkii khudozhestvennyi listok, izdavaemyi s Vusochaishego soizvolenia Vasiliem Timmom, no. 17 (1860). (In Russian)

6. Talalai, Mikhail. Russkaia tserkovnaia zhizn’ i khramostroitel’stvo v Italii. St. Petersburg: Kolo, 2011. (In Russian)

7. Dandolo, Tullio. Panorama di Firenze, la Esposizione nazionale del 1861 e la villa Demidoff a San Donato. Mosaico storico ed artistico. Milano: Libreria antica e moderna di G. Schiepatti, 1863.

8. Haskell, Francis, Stephen Duffy, Robert Wenley, and David Edge. Anatole Demidoff, Prince of San Donato (1812–70). London: Trustees of the Wallace Collection, 1994.

9. Jarves, James Jackson. “Prince Demidoff’s Sale; Preparing to Disperse a Great Art Collection; This Result of Enormous Wealth and Untrained Taste; A Remarkable Catalogue; The Prince’s Plan; A Charitable Lottery”. The New York Times, February 1, 1880.

10. Palais de San Donato. Catalogue des objets d’art et d’ameublement. Tableaux dont la vente aux enchères publiques aura lieu à Florence au palais de San Donato. Le 15 mars 1880 et les jours suivants. A une heure précise. M. Charles Pillet commissaire-priseur, M. Victor Leroy commissaire-priseur, M. Victor Leroy commissaire expert des musées royaux de Belgique, M. Charles Mannheim, expert en objets d’art. Paris: Imp. de Pillet et Dumoulin, 1880.

11. Zherdev, Vitalii. “Tserkov’ sv. Ekateriny v Shtutgarte: v poiskakh khudozhestvennogo obraza” [Church of St. Catherine in Stuttgart — Quest for the Artistic Image]. Vestnik Pravoslavnogo Sviato-Tikhonovskogo gumanitarnogo universiteta. Seriia V. Voprosy istorii i teorii khristianskogo iskusstva [St. Tikhons University Review. Series V. Problems of History and Theory of Christian Art], no. 1/21 (2016): 59–71. doi: http://dx.doi.org/10.15382/sturV201621.59-70. (In Russian)

12. Lorenzo, Sanna. “Territorio e patrimonio storico architettonico tra XI e XX secolo”. Arte / Architettura / Ambiente, no. 1 (2001): 22–30.

13. Grazia, Gobbi Sica. The Florentine Villa. Architecture, History, Society. Translated by Ursula Creigh. New York: Rouledge, 2007.

14. Levitskii, Vladimir. “Zhurnal sooruzheniia russkoi pravoslavnoi tserkvi vo Florentsii. 1897–1912. Prilozhenie 1”. In Talalai, Mikhail. Russkaia tserkovnaia zhizn’ i khramostroitel’stvo v Italii, 193–287. St. Petersburg: Kolo, 2011. (In Russian)

15. Shkerin, Vladimir. “Zakrytie staroobriadcheskikh chasoven v Nizhne-Tagil’skom zavodskom okruge v 30–40-e gody XIX veka”. In Religiia i tserkov’ v Sibiri, edited by A. Chernyshov, 94–102. Tiumen’: MI “RUTRA”, 1995, iss. 8. (In Russian)

16. Golynets, Galina, ed. Nev’ianskaia ikona. Al’bom. Ekaterinburg: Ural’skii universitet, 1997. (In Russian)

17. Gramolin, A. “Nev’ianskaia ikonopis’”. Nauka i zhizn’, no. 8 (1998). Accessed April 23, 2018. https://www.nkj.ru/archive/articles/10974/. (In Russian)

18. "Khristianstvo v iskusstve, sm. Vasil’ev Vasilii Vasil’evich (1829–1894)". Accessed June 08, 2018. http://www.icon-art.info/author.php?lng=ru&author_id=139&mode=general. (In Russian)

19. Kuznetsova, Ol’ga, and Aleksei Fedorchuk, comp. Pokhvala Bogomateri. Ikony Iaroslavlia XIII–XX vekov iz sobraniia Iaroslavskogo Khudozhestvennogo muzeia. Katalog vystavki. Moscow: Severnyi Palomnik, 2003. (In Russian)

20. Kondakov, Sergei. Iubileinyi spravochnik Imperatorskoi Akademii khudozhestv. 1764–1914. 2 vols. Petrograd: T-vo R. Golike i A. Vil’borg, 1915, vol. 2. (In Russian)

21. Belik, Zhanna. “Ikonopisets Dvora Ego Imperatorskogo Velichestva”. Russkoe iskusstvo, no. 3 (2006). Accessed June 17, 2018. http://www.russiskusstvo.ru/themes/artist/a1858/. (In Russian)

22. Frosini, Dino. “Rinaldo Barbetti”. In Istituto della enciclopedia italiana. Dizionario Biografico degli Italiani, vol. 6. Roma: Libri vintage, 1964. Accessed May 24, 2018. http://www.treccani.it/enciclopedia/rinaldo-barbetti_(Dizionario-Biografico).

Downloads

Published

2018-12-11

How to Cite

Zherdyev, V. V. (2018). The Demidoff Church in the San Donato Estate in Florence. Vestnik of Saint Petersburg University. Arts, 8(4), 605–625. https://doi.org/10.21638/spbu15.2018.405

Issue

Section

Visual arts