Icon-painting and painting. Icons and paintings
Abstract
The article attempts to justify the necessity to treat icon-painting and painting as two diffe rent art forms. Icon-painting is dedicated to conventional, i.e. symbolic representation of something determined by unearthly causes. Icons possess a unique spiritual content. Paintings in their essence are tied with people’s lives and their emotions. European pragmatic realism has been formed. The article compares old Russian icons and European paintings with identical subjects. A Novgorodian icon “The Entombment” is compared with a painting by Michelangelo Caravaggio — “The Entombment”, a Novgorodian icon “Presentation of Christ in the Temple” is compared with Memling’s “The Presentation in the Temple”, a Pskovian icon “Resurrection. Descend to the Limbo” — with Angelo Bronzino’s “Descent of Christ to the Limbo”, a Pskovian icon “Assumption of the Mother of God” — with Hugo van der Goes’s “Death of the Virgin”.
Keywords:
icons, paintings
Downloads
References
References
Downloads
Published
How to Cite
Issue
Section
License
Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.