Peculiarities of using choral and fuge in the organ sonata Op. 65 N 6 d-moll by Felix Mendelssohn Bartholdy

Authors

  • Ekaterina I. Porizko Saint Petersburg State University; Children's Art School in the Krasnoselsky district of Saint Petersburg

Abstract

This article is devoted to the analysis of some peculiarities of using choral and fugue in the organ sonata Op. 65 N 6 d-moll by Felix Mendelssohn-Bartholdy. The aim of this work is to investigate the interaction of choral and fugue in this sonata. The proper analysis of the sonata allowed us to find interrelations between such genres as choral and fugue in sonata of the 19th century.

Keywords:

Mendelssohn, organ, sonata, fugue, chorale, variations

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Author Biography

Ekaterina I. Porizko, Saint Petersburg State University; Children's Art School in the Krasnoselsky district of Saint Petersburg

student of the Department of Organ, Harpsichord and Carillon of the Faculty of Arts at the Saint Petersburg State University; teacher at the Children's Art School in the Krasnoselsky district of St. Petersburg

References

Литература

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Published

2011-03-15

How to Cite

Porizko, E. I. (2011). Peculiarities of using choral and fuge in the organ sonata Op. 65 N 6 d-moll by Felix Mendelssohn Bartholdy. Vestnik of Saint Petersburg University. Arts, 1(1), 32–40. Retrieved from https://artsjournal.spbu.ru/article/view/581

Issue

Vol. 1 No. 1 (2011)

Section

Music

License

Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.