Рainter and tradition. The paintings by Salvador Dali of 1920s in the context of Catalan neoclassicism

Authors

  • Olga O. Pavlova Saint Petersburg Repin State Academic Institute of Painting, Sculpture and Architecture

Abstract

The main topic of the article is the paintings by Salvador Dali of 1920s approached in relation to the Noucentisme, a unique phenomenon in cultural and social life of Barcelona in the first quarter of the 20th century, which was embodied in the art of neoclassicism. The analysis primarily focuses on the artistic interrelation between the painters that belonged to this trend and the paintings by Salvador Dali, diversity and similarity in their attitudes towards the national tradition, ancient heritage and avant-garde. In addition, it reveals the common ideological basis in the works by the representatives of Noucentisme and Salvador Dali in spite of different figurative character of their art in the context of cultural life of Barcelona of 1910–1920s.

Keywords:

Neoclassicism, avant-garde, antiquity, tradition, Barcelona, Mediterranean

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Author Biography

Olga O. Pavlova, Saint Petersburg Repin State Academic Institute of Painting, Sculpture and Architecture

Postgraduate of the Department of the Foreign Art of Faculty of Theory and History of Art

References

Литература

1. Barcelona and modernity: Picasso, Gaudi, Miro, Dali. Exh. cat. Cleveland, 2006. 524 p.

2. Дали С. Сюрреализм — это я. М., 2005. 617 с.


References

1. Barcelona and modernity: Picasso, Gaudi, Miro, Dali. Exh. cat. Cleveland, 2006. 524 p.

2. Dali S. Siurrealizm — eto ia. Moscow, 2005. 617 p. (In Russian)

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Published

2011-11-10

How to Cite

Pavlova, O. O. . (2011). Рainter and tradition. The paintings by Salvador Dali of 1920s in the context of Catalan neoclassicism. Vestnik of Saint Petersburg University. Arts, 1(4), 133–141. Retrieved from https://artsjournal.spbu.ru/article/view/1005

Issue

Vol. 1 No. 4 (2011)

Section

Visual arts

License

Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.