The monumentality of new Russian sculpture. Episode 1: monument to prince Vladimir

Authors

  • Alexander O. Kotlomanov St. Petersburg Stieglitz State Academy of Art and Design, 13, Solyanoy per., St. Petersburg, 191028, Russian Federation; St. Petersburg State University, 7–9, Universitetskaya nab., St. Petersburg, 199034, Russian Federation https://orcid.org/0000-0002-1917-2510

DOI:

https://doi.org/10.21638/11701/spbu15.2017.305

Abstract

In connection with the erection of the monument to Vladimir the Great in Moscow, contemporary trends in historical monumentalization in Russia are considered, as well as similar processes in other countries. Traced is the history of the dominant monuments dedicated to outstanding historical figures. Key examples of the newest period are highlighted, among which religious monuments are emphasized. Also, in connection with Zurab Tsereteli’s project of creating a colossal figure of Christ, analyzed are examples of sculptures in the form of a figurative super-monuments symbolizing the idea of the triumph of religion. The newest tendencies of monumentalization are proposed to be considered as a phenomenon characterizing the emergent crises in contemporary culture. Their number reflects the general symptomatology of the decline of the figurative method in art, the inertial stage of its evolution. Final conclusions are related to the formulation of the need to limit this process, to develop new criteria of, to recognize the problems of monumental sculpture in common international context. Refs 7. Figs 10.

Keywords:

contemporary sculpture, monumental sculpture, urban sculpture, public art, Russian sculpture, Zurab Tsereteli

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References

Литература

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Слово Святейшего Патриарха Кирилла на церемонии открытия памятника святому равноапостольному великому князю Владимиру в Москве // Русская Православная Церковь: официальный сайт Московского Патриархата. URL: http://www.patriarchia.ru/db/text/4660371.html (дата обращения: 12.05.2017).

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References

Moskvichi nazvali pamiatnik kniaziu Vladimiru luchshim v 2016 godu [Muscovites named the monument to Prince Vladimir best in 2016]. Rossiiskoe voenno-istoricheskoe obshchestvo [The Russian military-historical society]. Available at: http://rvio.histrf.ru/activities/news/item-3391 (accessed: 12.05.2017). (In Russian)

Volodikhin D. M. Sviatoi Vladimir, gost’ s iuga [St. Vladimir, a guest from the south]. Pravoslavnyi zhurnal «Foma» [Orthodox magazine Foma]. Available at: http://foma.ru/svyatoy-vladimir-gost-s-yuga.html (accesssed: 12.05.2017). (In Russian)

Turchin V. S. Monumenty i goroda. Vzaimosviaz’ khudozhestvennykh form monumentov i gorodskoi sredy [Monuments and cities. The relationship of monumental forms and the urban environment]. Moscow, Soviet Artist Publ., 1982. 160 p. (In Russian)

Slovo Sviateishego Patriarkha Kirilla na tseremonii otkrytiia pamiatnika sviatomu ravnoapostol’nomu velikomu kniaziu Vladimiru v Moskve [The word of His Holiness Patriarch Kirill at the opening ceremony of the monument to the Holy Equal-to-the-Apostles Grand Duke Vladimir in Moscow]. Russkaia Pravoslavnaia Tserkov’: ofitsial’nyi sait Moskovskogo Patriarkhata [Russian Orthodox Church: official website of the Moscow Patriarchate]. Available at: http://www.patriarchia.ru/db/text/4660371.html (accessed: 12.05.2017). (In Russian)

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Published

2017-09-15

How to Cite

Kotlomanov, A. O. (2017). The monumentality of new Russian sculpture. Episode 1: monument to prince Vladimir. Vestnik of Saint Petersburg University. Arts, 7(3), 342–359. https://doi.org/10.21638/11701/spbu15.2017.305

Issue

Section

Visual arts

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