“Louise” by G. Charpentier on stage. Dramaturgy of the “roman musicale”
Abstract
The article focuses on some peculiarities of Louise’s life on stage and its musical dramaturgy. The study of a unique correlation between musical and literary aspects of the novel in music leads to discovery of the phenomenon of interaction among different artistic trends fin du siècle in certain parts of the composition. Such categories of G. Charpentier’s conception as “Qintessence of life at Montmartre” or sketches of everyday’s life of “enfants de la Bohème” have been treated in Russian musicology for the first time.
Keywords:
G. Charpentier, a novel in music, “Louise”, musical dramaturgy, the composer’s esthetic principals
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Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.