Public art: the pages of history. Contemporary Russian art in the public space. Part 1: Monumental sculpture
Abstract
The article continues the series of publications on the topic of public art. It looks at some trends of Russian art life, the key subject is monumental sculpture of 1990–2000s. The article presents a comparative analysis of the strategies of the Western public art and public art of the Soviet Union. It highlights the work of Zurab Tsereteli that characterizes the situation of the traditional monumental sculpture as a whole. The author also focuses on some of the works of Ernst Neizvestny, Mihail Chemiakin and Rezo Gabriadze representing an alternative method of expressing ideas in the sculpture material. The final conclusions of the article are connected with the analysis of the possibility of development in Russia new forms and methods of public art.
Keywords:
contemporary art, contemporary sculpture, urban sculpture, public art, Russian sculpture, Zurab Tsereteli, Ernst Neizvestny, Mihail Chemiakin, Rezo Gabriadze
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Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.