Public art: the pages of history. Public sculpture in post-war Britain

Authors

Abstract

The public art is one of the most important components of modern sculpture, focused on the direct interaction with the audience in an open environment. The history of public art begins in 1940, when after the Second World War renovation of urban spaces in Western Europe and the U. S. began. The most notable examples of the post-war public art projects include works by British sculptors. After 1945 the British sculpture has been rapidly gaining the status of art and been guided by the general public interpretation. In 1951 in London there was a competition to create a monument to Unknown political prisoner. Due to an
unprecedented number of participants and the wide publicity it became one of the milestones in the promotion of contemporary sculpture. By the 1960s public art was a status symbol of major corporations and office buildings by working out such forms, as an American plaza art. Having not gained any specific role or at least developed some specific forms up to the beginning of the 1960s, public art was mainly determined not by the society, but a customer.

Keywords:

public art, public sculpture, modern sculpture, British sculpture, Henry Moore, Barbara Hepworth, Reg Butler

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Author Biography

Alexander O. Kotlomanov, Saint Petersburg State University

PhD, associate professor of Department of Restoration of the Faculty of Arts

References

Литература

1. Паблик-арт — это… // Про паблик-арт. — URL: http://propublicart.ru/article?id=6 (дата обращения: 25.03.2013).

2. Garlake M. New art new world: British art in postwar society. New Haven; London: Yale University Press, 1998. 279 p.

3. Causey A. Sculpture since 1945. Oxford; New York: Oxford University Press, 1988. 304 p.

4. Moore H. Writings and Conversations / ed. by A. Wilkinson. Berkeley: University of California Press, 2002. 320 p.

5. Мур Г. О скульптуре / пер. с англ. и публ. Н. Дубовицкой // Советская скульптура’78: сб. статей. М.: Сов. художник, 1980. С. 255–268.

6. Spalding F. British art since 1900. London: Thames and Hudson, 1986. 252 p.

7. Senie H. E. Contemporary public sculpture: tradition, transformation and controversy. New York; Oxford: Oxford University Press, 1992. 276 p.

References

1. Pablik-art — eto… Pro pablik-art. — URL: http://propublicart.ru/article?id=6 (accessed: 25.03.2013).

2. Garlake M. New art new world: British art in postwar society. New Haven; London: Yale University Press, 1998. 279 p.

3. Causey A. Sculpture since 1945. Oxford; New York: Oxford University Press, 1988. 304 p.

4. Moore H. Writings and Conversations, ed. by A. Wilkinson. Berkeley: University of California Press, 2002. 320 p.

5. Mur G. O skul'pture, per. s angl. i publ. N. Dubovitskoi, Sovetskaia skul'ptura’78: sb. statei. M.: Sov. khudozhnik, 1980. p. 255–268.

6. Spalding F. British art since 1900. London: Thames and Hudson, 1986. 252 p.

7. Senie H. E. Contemporary public sculpture: tradition, transformation and controversy. New York; Oxford: Oxford University Press, 1992. 276 p.

Published

2013-07-16

How to Cite

Kotlomanov, A. O. (2013). Public art: the pages of history. Public sculpture in post-war Britain. Vestnik of Saint Petersburg University. Arts, 3(3), 71–79. Retrieved from https://artsjournal.spbu.ru/article/view/2396

Issue

Section

Visual arts

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