Vol. 8 No. 3 (2018)

View Vol. 8 No. 3 (2018)

Published: 2018-08-27

Music

“L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice

Alexei A. Panov, Ivan V. Rosanoff

328-355
- PDF
Anton Arensky — educator and master of musical form

Tatiana S. Kyuregyan

356-380
- PDF (Русский)
Letters from the 1920s: Contributions to the history of the first performances of Schreker’s, Berg’s and Krenek’s operas in Russia

Natalia O. Vlasova

381-398
- PDF (Русский)

Theater

Dostoevsky’s tragic motifs in the theatre of Chekhov: “The Brothers Karamazov” by Nemirovich-Danchenko (Moscow Art Theatre, 1910)

Olga E. Markaryan

399-410
- PDF (Русский)

Visual arts

Lady Mary Fox, the mysterious story of a portrait

Larisa V. Bardovskaya

411-419
- PDF
The works of Arnold Böcklin in the art of Alexander Benois

Anna E. Zavyalova

420-436
- PDF (Русский)
The Icon of the Mother of God of Jerusalem from the Assumption Cathedral of the Moscow Kremlin and its lost original. On the question of copying ancient icons in the Muscovite workshop in the late 17th — early 18th centuries

Nadezhda V. Pivovarova

437-459
- PDF (Русский)
Images of national history in Russian art of the 19th century. Research prospects

Maria A. Chernysheva

460-479
- PDF (Русский)

Design

Theatrical staging as a method of museum space designer’s projecting

Elena Ya. Kalnitskaya

480-507
- PDF (Русский)

Restoration

From the history of the restoration of artistic furniture in Russia. Some facts of the activity of the Office of the Court Quartermaster at the Imperial Court in the 19th century

Vladimir S. Torbik, Elizaveta A. Chalikova

508-524
- PDF (Русский)

Miscellania

Petersburg of Jan Neyman. In memory of the sculptor

Alexander O. Kotlomanov

525-535
- PDF (Русский)