О некоторых «сюрпризах» и «загадках» органно-клавирной культуры Италии XVI–XVII веков в интерпретации Е. В. Бурундуковской

  • Андрей Владимирович Коломийцев Санкт-Петербургский государственный университет

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Биография автора

Андрей Владимирович Коломийцев, Санкт-Петербургский государственный университет

старший преподаватель

Литература

Литература

1. Crivellaro P. Der italienische “Organo classico” // Organ — Journal für die Orgel. Schott, 2004. H. 3. S. 4–14; H. 4. S. 39–44.

2. Бурундуковская Е. В. Органно-клавирная культура Италии (конец XVI — первая половина XVII века). Казань: Казанская государственная консерватория им. Н. Г. Жиганова, 2007. 284 с.

3. Diruta G. The Transylvanian: Il Transilvano / ed. by M. Bradshaw, E. Soehnlen. Henryville; Ottava; Binningen: Institute of Mediaeval Music, 1984. 180 p. (Wissenschaftliche Abhandlungen. Bd. 38. Vol. II.)

4. Laukvik J. Orgelschule zur historischen Aufführungspraxis: Grundzüge des Orgelspiels unter Berücksichtigung zeitgenössischer Quellen. Teil 1: Barock und Klassik. Stuttgart: Carus-Verlag, 2000. 324 S.

5. Распутина М. В. Становление клавирного стиля в музыке южнонемецкого барокко. М.: Московская государственная консерватория имени П. И. Чайковского, 2009. 220 с.

6. Wraight D. Harpsichord: The Renaissance: Italy // The New Grove dictionary of music and musicians / ed. by S. Sadie; 2nd ed. L.: Macmillan; N. Y.: Grove, 2002. Vol. 11. 900 p.

7. Hubbard F. Three centuries of harpsichord making. Second printing. Harvard university press, 1967. 373 p.

8. Barnes J. Pitch variations in Italian keyboard instruments // The Galpin Society Journal. 1965. Vol. 18. P. 110–116.

9. Wraight D. The stringing of Italian keyboard instruments c. 1500 — c. 1650: Ph.D. dissertation. Queen’s University of Belfast, 1997.

10. Wraight D. Italian keyboard instruments: Compasses of Italian string keyboard instruments: [Электронный ресурс]. URL: http://www.denzilwraight.com/compasses.htm (дата обращения: 30.06.2014).

11. Ripin E., Adlam D., Owen B. Scaling // The New Grove dictionary of music and musicians / ed. by S. Sadie; 2nd ed. L.: Macmillan; N. Y.: Grove, 2002. Vol. 22. 922 p.

12. Wraight D. Italian keyboard instruments: Pitch in Italian string keyboard instruments: [Электронный ресурс]. URL: http://www.denzilwraight.com/pitch.htm (дата обращения: 30.06.2014).

13. Shortridge J. Italian harpsichord-building in the 16th and 17th centuries. Reprint. Washington, D. C.: Smithsonian institution press, 1970.

14. Russel R. The harpsichord and clavichord / ed. by H. Schott; 2nd ed. N. Y.: W. W. Norton, 1973.

15. Haynes B. Pitch standards in the baroque and classical periods: Ph.D. dissertation. University of Montréal, 1995.

16. Meer J. H. van der. Die Geschichte der Zupfklaviere bis 1800: ein Überblick // Kielklaviere: Cembali, Spinette, Virginale / hrsg. von D. Droysen-Reber, H. Schneider. Berlin: Staatliches Institut fü r Musikforschung Preußischer Kulturbesitz, 1991. 423 S.

17. Diruta G. Il Transilvano. Prima parte. Venetia, 1593. 64 p.

18. Music publishing in Europe 1600–1900. Concepts and issues, bibliography / ed. by R. Rasch. Berlin: Berliner Wissenschaftsverlag, 2005. 314 p. (Musical life in Europe 1600–1900, circulation, institutions, representations. The circulation of music. Vol. I).

19. Caccini G. Le nuove musiche. Firenze, 1601. 52 p.

20. Diruta G. Il Transilvano. Seconda parte. Libro primo. Venetia, 1609. 21 p.

21. Diruta G. Il Transilvano. Seconda parte. Libro secondo. Venetia, 1609. 36 p.

22. Lloyd L., Rastall R. Pitch nomenclature // The New Grove dictionary of music and musicians / ed. by S. Sadie; 2nd ed. L.: Macmillan; N. Y.: Grove, 2002. Vol. 19. 942 p.

23. Kenton E. Life and works of Giovanni Gabrieli. American Institute of Musicology, 1967. 557 p. (Musicological studies and documents. XVI).

24. Das Buxheimer Orgelbuch (Bayerische Staatsbibliothek, München. Manuscript. Mus. 3725): [Электронный ресурс]. URL: http://javanese.imslp.info/files/imglnks/usimg/2/2a/IMSLP92753-PMLP67308-Buxheimer_Orgelbuch.PDF (дата обращения: 27.06.2014).

25. Apel W. Die Notation der polyphonen Musik 900–1600. 4. Auflage. Wiesbaden: Breitkopf & Härtel, 1989. 527 S.

26. Belotti M. Die freien Orgelwerke Dieterich Buxtehudes: Überlieferungsgeschichtliche und stilkritische Studien. 3., korrigierte und ergänzte Auflage. Frankfurt am Main, Berlin, 2004. 333 S.

27. Radole G. Le registrazioni della musica organistica italiana dal 1500 al 1900. Bergamo: Edizioni Carrara, 1999. 160 p.

28. Pol W. van de. La registrazione organistica dal 1500 al 1800. Pistoia, 1996. 279 p.

29. Masters of the Italian Renaissance [Sound recording]. Basel: DIVOX: CDX-70005, 2003. 1 электрон. опт. диск (Audio-CD). (Historic organ series, vol. VII).

30. Tamminga L. Bologna. Gli organi della Basilica di San Petronio: [Электронный ресурс]. URL: http://www.liuwetamminga.it/strumenti.html (дата обращения 11.05.2014).

31. Organo Antegnati della Chiesa di San Salvatore: [Электронный ресурс]. URL: http://www.antegnati.it/antegnati/strumento.php (дата обращения 11.05.2014).

32. Покровская З. А., Кацман Н. Л. Латинский язык: учеб. для вузов. 3-е изд., перераб. и доп. М.: Высшая школа, 1987. 368 с.

33. Antegnati C. L’arte organica. Brescia, 1608.

34. Bernstein J. Scotto: Girolamo Scotto // The New Grove dictionary of music and musicians / ed. by S. Sadie; 2nd ed. L.: Macmillan; N. Y.: Grove, 2002. Vol. 23. 930 p.

35. Lewis M. Gardano: Antonio Gardano // The New Grove dictionary of music and musicians / ed. by S. Sadie; 2nd ed. L.: Macmillan; N. Y.: Grove, 2002. Vol. 9. 947 p.

36. Gerbino G., Silbiger A. Ruggiero // The New Grove dictionary of music and musicians / ed. by S. Sadie; 2nd ed. L.: Macmillan; N. Y.: Grove, 2002. Vol. 21. 939 p.

References

1. Crivellaro P. Der italienische “Organo classico” [The Italian “Organo classico”]. Organ — Journal für die Orgel [Organ — Journal for the Organ]. Schott, 2004. H. 3, pp. 4–14; H. 4, pp. 39–44.

2. Burundukovskaia E. V. Organno-klavirnaia kul’tura Italii (konets XVI — pervaia polovina XVII veka) [Organ and Clavier Culture of Italy (late 16th century and first half of the 17th century)]. Kazan’: Kazanskaia gosudarstvennaia konservatoriia im. N. G. Zhiganova Publ., 2007, 284 p. (In Russian)

3. Diruta G. The Transylvanian: Il Transilvano. Ed. by M. Bradshaw, E. Soehnlen. Henryville; Ottava; Binningen: Institute of Mediaeval Music, 1984, 180 p. (Wissenschaftliche Abhandlungen. Bd. 38, vol. II.)

4. Laukvik J. Orgelschule zur historischen Aufführungspraxis: Grundzüge des Orgelspiels unter Berücksichtigung zeitgenössischer Quellen. Teil 1: Barock und Klassik [Historical Performance Practice in Organ Playing: Principles of organ playing, taking into account contemporary sources. Part 1. Baroque and Classical Era]. Stuttgart: Carus-Verlag, 2000, 324 p.

5. Rasputina M. V. Stanovlenie klavirnogo stilia v muzyke iuzhnonemetskogo barokko [Formation of the clavier style in the music of south-german Baroque]. Moscow: Moskovskaia gosudarstvennaia konservatoriia imeni P. I. Chaikovskogo Publ., 2009, 220 p. (In Russian)

6. Wraight D. Harpsichord: The Renaissance: Italy. The New Grove dictionary of music and musicians. Ed. by S. Sadie; 2nd ed. London: Macmillan; New York: Grove, 2002, vol. 11. 900 p.

7. Hubbard F. Three centuries of harpsichord making. Second printing. Harvard university press, 1967.

8. Barnes J. Pitch variations in Italian keyboard instruments. The Galpin Society Journal, 1965, vol. 18, pp. 110–116.

9. Wraight D. The stringing of Italian keyboard instruments c. 1500 — c. 1650: Ph.D. dissertation. Queen’s University of Belfast, 1997.

10. Wraight D. Italian keyboard instruments: Compasses of Italian string keyboard instruments. Available at: http://www.denzilwraight.com/compasses.htm (accessed: 30.06.2014).

11. Ripin E., Adlam D., Owen B. Scaling. The New Grove dictionary of music and musicians. Ed. by S. Sadie; 2nd ed. London: Macmillan; New York: Grove, 2002, vol. 22, 922 p.

12. Wraight D. Italian keyboard instruments: Pitch in Italian string keyboard instruments. Available at: http://www.denzilwraight.com/pitch.htm (accessed: 30.06.2014).

13. Shortridge J. Italian harpsichord-building in the 16th and 17th centuries. Reprint. Washington, D. C.: Smithsonian institution press, 1970.

14. Russel R. The harpsichord and clavichord. Ed. by H. Schott; 2nd ed. New York: W. W. Norton, 1973.

15. Haynes B. Pitch standards in the baroque and classical periods: Ph.D. dissertation. University of Montréal, 1995.

16. Meer J. H. van der. Die Geschichte der Zupfklaviere bis 1800: ein Überblick [The history of plucked keyboard instruments before 1800: an overview]. Kielklaviere: Cembali, Spinette, Virginale [Quilled keyboard instruments: harpsichords, spinets, virginals]. Eds D. Droysen-Reber, H. Schneider. Berlin: Staatliches Institut fü r Musikforschung Preußischer Kulturbesitz, 1991, 423 p.

17. Diruta G. Il Transilvano. Prima parte [The Transylvanian. Part 1]. Venetia, 1593, 64 p.

18. Music publishing in Europe 1600–1900. Concepts and issues, bibliography. Ed. by R. Rasch. Berlin: Berliner Wissenschaftsverlag, 2005, 314 p. (Musical life in Europe 1600–1900, circulation, institutions, representations. The circulation of music, vol. I).

19. Caccini G. Le nuove musiche [The new music]. Firenze, 1601, 52 p.

20. Diruta G. Il Transilvano. Seconda parte. Libro primo [The Transylvanian. Part 2. Book 1]. Venetia, 1609, 21 p.

21. Diruta G. Il Transilvano. Seconda parte. Libro secondo [The Transylvanian. Part 2. Book 2]. Venetia, 1609, 36 p.

22. Lloyd L., Rastall R. Pitch nomenclature. The New Grove dictionary of music and musicians. Ed. by S. Sadie; 2nd ed. London: Macmillan; New York: Grove, 2002, vol. 19, 942 p.

23. Kenton E. Life and works of Giovanni Gabrieli. American Institute of Musicology, 1967. 557 p. (Musicological studies and documents. XVI).

24. Das Buxheimer Orgelbuch [The organ book of Buxheim] (Bayerische Staatsbibliothek, München. Manuscript. Mus. 3725). Available at: http://javanese.imslp.info/files/imglnks/usimg/2/2a/IMSLP92753-PMLP67308-Buxheimer_Orgelbuch.PDF (accessed: 27.06.2014).

25. Apel W. Die Notation der polyphonen Musik 900–1600. 4. Auflage [The Notation of Polyphonic Music, 900–1600. 4th ed.]. Wiesbaden: Breitkopf & Härtel, 1989, 527 p.

26. Belotti M. Die freien Orgelwerke Dieterich Buxtehudes: Überlieferungsgeschichtliche und stilkritische Studien. 3., korrigierte und ergänzte Auflage [The free organ works of Dieterich Buxtehude. 3rd Edition, corrected and supplemented]. Frankfurt am Main, Berlin, 2004, 333 p.

27. Radole G. Le registrazioni della musica organistica italiana dal 1500 al 1900 [The registrations of the italian organ music from 1500 till 1900]. Bergamo: Edizioni Carrara, 1999, 160 p.

28. Pol W. van de. La registrazione organistica dal 1500 al 1800 [The organ registration from 1500 till 1800]. Pistoia, 1996, 279 p.

29. Masters of the Italian Renaissance [Sound recording]. Basel: DIVOX: CDX-70005, 2003. 1 CD (Audio-CD). (Historic organ series, vol. VII).

30. Tamminga L. Bologna. Gli organi della Basilica di San Petronio [The organs of San Petronio basilica]. Available at: http://www.liuwetamminga.it/strumenti.html (accessed: 11.05.2014).

31. Organo Antegnati della Chiesa di San Salvatore [The Antegnati Organ of the San Salvatore church]. Available at: http://www.antegnati.it/antegnati/strumento.php (accessed: 11.05.2014).

32. Pokrovskaia Z. A., Katsman N. L. Latinskii iazyk: ucheb. dlia vuzov [Lingua Latina: Textbook for the higher school students]. 3rd ed. Moscow: Vysshaia shkola Publ., 1987, 368 p. (In Russian)

33. Antegnati C. L’arte organica [The art of organ playing]. Brescia, 1608.

34. Bernstein J. Scotto: Girolamo Scotto. The New Grove dictionary of music and musicians. Ed. by S. Sadie; 2nd ed. London: Macmillan; New York: Grove, 2002, vol. 23, 930 p.

35. Lewis M. Gardano: Antonio Gardano. The New Grove dictionary of music and musicians. Ed. by S. Sadie; 2nd ed. London: Macmillan; New York: Grove, 2002, vol. 9, 947 p.

36. Gerbino G., Silbiger A. Ruggiero. The New Grove dictionary of music and musicians. Ed. by S. Sadie; 2nd ed. London: Macmillan; New York: Grove, 2002, vol. 21, 939 p.

Опубликован
2015-11-06
Как цитировать
Коломийцев, А. В. (2015). О некоторых «сюрпризах» и «загадках» органно-клавирной культуры Италии XVI–XVII веков в интерпретации Е. В. Бурундуковской. Вестник Санкт-Петербургского университета. Искусствоведение, 5(3), 219-238. извлечено от https://artsjournal.spbu.ru/article/view/2101
Раздел
Обзоры, рецензии