Some Thoughts on the Baroque Organ Suite

Authors

  • Yuri S. Bocharov Tchaikovsky Moscow State Conservatory

DOI:

https://doi.org/10.21638/spbu15.2024.101

Abstract

This article deals with the Baroque organ suite, which arose in France in the Reign of Louis XIV, when the tradition of publishing organ books was formed. And such books usually consisted of liturgical versets, grouped according to certain church tones. Since the musicological literature does not have a clear understanding of what an organ suite is as a genre, the author decided to clearly differentiate it among organ masses, magnificats and hymns that are similar in structure. In his opinion, an organ suite is an ordered collection of different musical pieces (usually from 6 to 13) in a single tone, without a common liturgical name. In total, there are approximately 75 such suites written by Nivers, Lebègue, Clérambault, Marchand and other masters of the French Baroque, although only a few samples are designated as Suite. Organ suites were not generally characterized by structural unification. However, they usually begin with a piece in the character of a solemn introduction, which is called Prélude or Plein jeu (by type of registration). The second most often is Fugue. Next follows a diverse group of textural and register genres. And as the completion of the entire suite, as a rule, are full-sounded Grand jeu or Plein jeu. At the same time, performance of the suites entirely “in one sitting”, as in modern concert practice, was not intended. French organ suites were addressed primarily to provincial organists, who could use individual pieces both as a guide for their own improvisations, and in the form of already “ready-made” versets for various services. If necessary, they could also combine these pieces, including other music. Therefore, any attempts of modern musicologists to find in the structure of the Baroque organ suite any purely musical meaning and to analyze them on the model of multi-movement compositions of later times have nothing in common with the authentic practice.

Keywords:

organ suite, organ book, French music, Baroque era, liturgical practice, alternatim, verset, church tone

Downloads

Download data is not yet available.
 

References

Литература/References

1. Bocharov, Yuri. “Suite vs Sonata in the Baroque Era”. Vestnik of Saint Petersburg University. Arts 10, no. 2 (2020): 210–29. https://doi.org/10.21638/spbu15.2020.202 (In Russian)

2. Zaytseva, Liliya. “French organ music Baroque and organ mass: to the problem of periodization”. ARTE, no. 4 (2021): 5–11. Accessed July 25, 2023. https://sgiiart.ru/jour/article/view/123/120”. (In Russian)

3. Tchebourkina, Marina. The French Baroque Organ Art: Music, Organ building, Performance. Paris: Natives, 2013. (In Russian)

4. Le Dictionnaire de l’Académie françoise, dédié au Roy. Tome second [M–Z]. Paris: Coignard, 1694.

5. Nouveau dictionnaire de l’Académie françoise dédié au Roy. Tome second [M–Z]. Paris: Coignard, 1718.

6. Brossard, Sébastien de. Dictionaire de Musique, contenant une explication des termes Grecs, Latins, Italiens et Françoise. Paris: Ballard, 1703.

7. Walther, Johann Gottfried. Musicalisches Lexicon oder musicalische Bibliothec. Leipzig: W. Deer, 1732.

8. Grassineau, James. A Musical Dictionary… London: J. Wilcox, 1740.

9. Rousseau, Jean-Jacques. Dictionnaire de Musique. Paris: Duchesne, 1768.

10. Swain, Joseph. Historical Dictionary of Baroque Music. Lanham: Scarecrow Press, 2013.

11. Fuller, David. “Suite”. In The New Grove Dictionary of Music and Musicians, ed. by Stanley Sadie, 2nd ed., vol. 24: 665–84. London: Macmillan, 2001.

12. Ponsford, David. French Organ Music in the Reign of Louis XIV. Cambridge: Cambridge University Press, 2011.

13. Douglass, Fenner. The Language of the Classical French Organ: a musical tradition before 1800. New Haven: Yale University Press, 1995.

14. Higginbottom, Edward. “Organ music and the liturgy”. In The Cambridge Companion to the Organ, eds Nicholas Thistlethwaite and Geoffrey Webber, 130–47. Cambridge: Cambridge University Press, 2007.

15. “French organ school”. In Wikipedia. Accessed July 25, 2023. https://en.wikipedia.org/wiki/French_organ_school.

16. “Suite pour orgue”. In Wikipedia. Accessed July 25, 2023. https://fr.wikipedia.org/wiki/Suite_pour_orgue.

17. Barrera, Juan David. “La musique pour orgue en France à l’âge classique”. Thèse doctorale, Université de Strasbourg, 2017.

18. Krivitskaya, Evgeniya. History of French organ music. Moscow: Kompozitor Publ., 2003. (In Russian)

19. Bocharov, Yuri. “Once again about the new method of Baroque instrumental forms systematization”. Starinnaia muzyka 100, no. 2 (2023): 14–21. (In Russian)

20. Dufourcq, Norbert. Le livre de l’orgue français, 1589–1789. Tome IV: La Musique. Paris: Picard, 1972.

21. Mercure galant, dedie’ a Monseigneur le Dauphin. Janvier 1700. A Paris, Chez Michel Brunet, Grande Salle du Palais au Mercure Galant. Accessed July 25, 2023. https://gallica.bnf.fr/ark:/12148/bpt6k6262137b/f5.item.

Нотные издания и источники / Musical Editions and Sources

I. Boëllmann, Léon. Suite Gothique pour Grand Orgue. Paris: Durand, 1895.

II. Werner, Jean-Jacques. Suite pour orgue. [S. l.]: Delatour France, 2009. (Collection Organistes Alsaciens, vol. 23).

III. Septieme livre de danceries, mis en musique a quatre parties par Estienne du Tertre. Paris: Pierre Attaingnant, 1557.

IV. Menuets tant Anciens que Nouveaux qui se Dansent aux Bals de l’Opéra. Ier Recueil. Contenant Cent et un Menuets. Disposésen Dix Suittes par Mr Montéclair. Paris: Boivin, 1735.

V. Corrette, Michel. Nouveau livre de noëls pour le clavecin ou l’orgue. Paris: chez l’auteur, Mme Boivin, Le Sr. Le Clerc, [c. 1741].

VI. Lebègue, Nicolas. Troisième livre d’orgue … contenant des grandes offertoires et des Elévations; et tous les Noëls les plus connus, des simphonies et les cloches que l’onpeutjouer sur l’orgue et le clavecin. Paris: Gravé par De Baussen, [1685].

VII. Piroye, Charles. Pièces Choisies de la composition de Mr Piroye, Professeur de musique & Organiste à Paris. Paris: Cavelier, 1712.

VIII. Clérambault, Louis-Nicolas. Premier Livre d’Orgue, contenant deux Suites du Ieret du IIe Ton. Paris: Chez l’Auteur, le Sieur Foucault, [1710].

IX. Du Mage, Pierre. Ier. Livre d’Orgue, contenant une suite du premier ton. St-Quentin: Cliquot; Paris: Roussel, 1708.

X. Corrette, Michel. IIIe. Livre d’Orgue. Paris: l’Auteur, 1756.

XI. Guilain, Jean-Adam. Pièces d’Orgue pour le Magnificat. Paris: A. Durand & Fils, 1906. (Archives des Maîtres de l’Orgue, vol. 7).

XII. Lebègue, Nicolas. Premier Livre d’Orgue: 8 Suites. Restitution d’après l’édition originale par Pierre Gouin. Montréal: Les Éditions Outremontaises, 2011.

XIII. Nivers, Guillaume-Gabriel. Liure d’Orgue Contenant Cent Pièces de tous les Tons de l’Église. Paris: l’Auteur & R. Ballard, 1665.

XIV. Nivers, Guillaume-Gabriel. 3. Liure d’Orgue des Huit Tons de l’Église. Paris: l’Auteur & R. Ballard, 1675.

XV. Lebègue, Nicolas. Les Pièces d’Orgues… Paris: Baillon, [1676].

XVI. Jullien, Gilles. Premier Liure d’Orgue… Paris: Henry Lesclop, [1690].

XVII. Chaumont, Lambert. Pièces d’Orgue sur les 8 Tons… Liège: Daniélis; auteur, 1695.

XVIII. Boyvin, Jacques. Premier Livre d’Orgue. Contenant les huit Tons, À l’Usage Ordinaire de l’Église. Paris: Baussend, Le Maire, [1690].

XIX. Boyvin, Jacques. Second Livre d’Orgue, contenant les huit Tons, à l’usage ordinaire de l’Église. Paris: Ballard, 1700.

XX. Corrette, Michel. Pièces Pour l‘Orgue Dans un Genre Nouveau… Paris: chez les Marchands de Musique, [1787].

XXI. Marchand, Louis. Pieces choisies pour l’orgue… Paris: Mme Boivin; Lyon: de Brotonne, [1740].

XXII. D’Agincour, François. Pièces d’Orgue. D’après le manuscrit du Père Pingré. Bibliothèque de Sainte-Geneviève, Paris (Ms. nº 2372). Restitution par Pierre Gouin. Montréal: Les Éditions Outremontaises, 2013.

XXIII. Corrette, Michel. IIe Livre de Pieces d’Orgue. Contenant le Ve,VIe, VII et VIII tons… Oeuvre XXVI. Paris: auteur, Mme Boivin, Le Clerc, Mlle Castagnery, 1750.

XXIV. Corrette, Michel. Premier Livre d’Orgue. Contenant Quatre Magnificat… Oeuvre XVI. Paris: auteur, Mme Boivin, Le Clerc, Mlle Castagnery, 1737.

XXV. Gigault, Nicolas. Liure de Mvsique pour l’Orgve… Paris: Chez l’Auteur, 1685.

XXVI. Dandrieu, Jean-François. Premier Livre de Pièces d’Orgue. Paris: Corrette, Boivin, Le Clerc, 1739.

Published

2024-05-23

How to Cite

Bocharov, Y. S. (2024). Some Thoughts on the Baroque Organ Suite. Vestnik of Saint Petersburg University. Arts, 14(1), 4–22. https://doi.org/10.21638/spbu15.2024.101

Issue

Section

Music