“Studio” in modern theatrical pedagogy. An abstract on the current topic

Authors

  • Eugeny R. Ganelin Saint Petersburg State Theatre Arts Academy; Saint Petersburg State University; Komissarzhevskaya Theatre

Abstract

The article is devoted to the problems of modern theatrical pedagogy. The author pays special attention to the influence of the “studio” as a specific pedagogical approach of the Russian theatrical school on training of young actors. The analysis of the views of prominent figures of Russian and Soviet theater in the article helps to cover the history of the problem and to identify further ways to study it. The article provides an analysis of works in a “studio”, compares different approaches to educating creative individuality in group learning, explores the psychological contradictions of different approaches to teaching actors in various workshops. It gives some advice which can help both teachers and theater lovers. It emphasises that this way mutual drama schools should be regarded as a promising area in theatre development, moreover it promoted integration of different theater schools, their interdependence and consequently their strengthening and development.

Keywords:

theatre pedagogy, creative personality, studio, team, psychological contradictions, manipulator

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Author Biography

Eugeny R. Ganelin, Saint Petersburg State Theatre Arts Academy; Saint Petersburg State University; Komissarzhevskaya Theatre

associate professor, PhD, honored artist of Russia, actor of the Komissarzhevskaya Theatre

References

Литература

1. Юрский С. Ю. Игра в жизнь. URL: http://1001.ru/books/jursky/jursky071.htm13 10.2012.

2. Лехин И. В., Локшина С. М., Петров Ф. Н., Шаумян Л. С. Словарь иностранных слов / гл. ред. Ф. Н. Петров. М.: Советская энциклопедия, 1964. 784 с.

3. Толшин А. В. Рыцарь актерской науки (О Л. Ф. Макарьеве) // Азы Актерского мастерства / сост. Е. Р. Ганелин. СПб..: «Речь», 2002. 240 c.

4. Зинкевич-Евстигнеева Т., Фролов Д., Грабенко Т. Технология создания команды. СПб.: «Речь», 2002. 216 c.

5. Гительман Л. И. Уроки истории театра // Как рождаются актеры / под ред. В. М. Фильштинского, Л. В. Грачевой. СПб.: «Сотис», 2001. 188 c.

References

1. Iurskii S. Iu. Igra v zhizn'. URL: http://1001.ru/books/jursky/jursky071.htm13 10.2012.

2. Lekhin I. V., Lokshina S. M., Petrov F. N., Shaumian L. S. Slovar' inostrannykh slov, gl. red. F. N. Petrov. M.: Sovetskaia entsiklopediia, 1964. 784 p.

3. Tolshin A. V. Rytsar' akterskoi nauki (O L. F. Makar'eve), Azy Akterskogo masterstva, sost. E. R. Ganelin. SPb.: «Rech'», 2002. 240 p.

4. Zinkevich-Evstigneeva T., Frolov D., Grabenko T. Tekhnologiia sozdaniia komandy. SPb.: «Rech'», 2002. 216 p.

5. Gitel'man L. I. Uroki istorii teatra, Kak rozhdaiutsia aktery, pod red. V. M. Fil'shtinskogo, L. V. Grachevoi. SPb.: «Sotis», 2001. 188 p.

Published

2013-05-27

How to Cite

Ganelin, E. R. . (2013). “Studio” in modern theatrical pedagogy. An abstract on the current topic. Vestnik of Saint Petersburg University. Arts, 3(2), 54–58. Retrieved from https://artsjournal.spbu.ru/article/view/2342

Issue

Section

Theater