Robert Fludd’s metaphysics of music and number

Authors

  • Maria N. Blazhevich The Kazan State Ziganov Conservatoire of Music; Tyumen Philarmonic; Tyumen Academy of Arts and Culture
  • Dmitry F. Ushakov Orpheus Radio, The Church of St. Louis of France

Abstract

The aim of this paper is to examine some aspects of philosophical doctrines by Robert Fludd (1574– 1637), an English philosopher, a physician, an M.D., and a music theoretician, on the basis of his treatise “Utriusque Cosmi historia…”. The authors bring to the fore Fludd’s concept of Musical Number and his views on musica mundana, one of three types of musica speculative, which is understood as inaudible music of the spheres arranged by coordinated movements of the Universe. The special attention is paid to Fludd’s philosophy of Number and Musical Number, his interpretation of Pythagoras’ doctrines, as well as Fludd’s own concepts of Musica Mundana such as hylomorphism of formal and material pyramids, mundane monochord, etc.

Keywords:

Fludd, Pythagoras, Musical Number, Philosophy of Number, Music of the Spheres, mundane monochord, Number Symbolism

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Author Biographies

Maria N. Blazhevich, The Kazan State Ziganov Conservatoire of Music; Tyumen Philarmonic; Tyumen Academy of Arts and Culture

postgraduate at The Kazan State Ziganov Conservatoire of Music, artist at the Tyumen Philarmonic, senior lecturer at the Tyumen Academy of Arts and Culture

Dmitry F. Ushakov, Orpheus Radio, The Church of St. Louis of France

author and presenter of programs on classical music radio "Orpheus", organist at the Church of St. Louis of France in Moscow

References

Литература

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6. Huffman W. H. Robert Fludd and the end of the Renaissance. New York; London: Routledge, 1988. 252 p.

7. Fludd R. Tractatus apologeticus. Leyden, 1617. 196 p.

8. Ammann P. The Musical Theory and Philosophy of Robert Fludd // Journal of the Warburg and Courtauld Institutes. 1967. Vol. 30. P. 198–227.

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References

1. Fludd R. Utriusque cosmi maioris scilicet minoris metaphysica, physica atque technica in duo volumina secundum cosmi diff erentiam divisa. Tomus primus: De macrocosmi historia in duos tractatus divisa. T. 1. J. T. de Bry, 1617. 788 p.

2. Fludd R. Utriusque cosmi maioris scilicet minoris metaphysica, physica atque technica in duo volumina secundum cosmi diff erentiam divisa. Tomus primus: De macrocosmi historia in duos tractatus divisa. T. 2. Oppenheim, H. Galler für J. T. Bry, 1619. 277 p.

3. Allen G. Debus. The chemical philosophy. New York, 1977.

4. Craven J. B. Doctor Fludd (Robertus de Fluctibus), the English Rosicrucian: Life and Writings. Kirkwall, William Peace & Son, 1902. 260 p.

5. Godwin J. Robert Fludd: Hermetic philosopher and surveyor of two worlds. London, Phanes Press,1991. 96 p.

6. Huffman W. H. Robert Fludd and the end of the Renaissance. New York; London: Routledge, 1988. 252 p.

7. Fludd R. Tractatus apologeticus. Leyden, 1617. 196 p.

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9. Ado I. Svobodnye iskusstva i filosofiia v antichnoi mysli. Moscow, "Greko-latinskii kabinet" Iu. A. Shichalina Publ., 2002. 475 p. (In Russian)

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12. Hauge P. Robert Fludd (1574–1637): a Musical Charlatan? A Contextual Study of His “Temple of Music” (1617–1618). Robert Fludd (1574–1637): glazbeni šarlatan? Kontekstualno istraživanje njegova djela “Temple of Music” (1617–1618). International Review of the Aesthetics and Sociology of Music. 2008, Vol. 39, no. 1, pp. 3–29.

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14. Ieits F. Dzhordano Bruno i germeticheskaia traditsiia. Transl. by G. Dashevskogo. Moscow, Novoe literaturnoe obozrenie Publ., 2000. 528 p. (In Russian)

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16. Ieits F. Iskusstvo pamiati. Transl. by E. Malyshkina. St Petersburg, Universitetskaia kniga Publ., 1997. 480 p. (In Russian)

17. Mitchell K. S. Musical conceptions in the hermetic philosophy of Robert Fludd. Their nature and signifi cance in german baroque musical thought. PhD. Diss. Washington, 1994. 272 p.

18. Kopeikin K. V. Harmonia mundi: v poiskakh so-Glas-i-Ia makro- i mikro-kosmos’a. Vestn. S.-Peterb. un-ta. Ser. 15: Iskusstvovedenie. 2011, Issue 1, pp. 88–109. (In Russian)

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20. Schmidt J. Biblischer Mathematicus. Züllichau, 1736. 726 p.

21. Werckmeister A. Musikalische Paradoxal-Discourse. Quedlinburg, 1707. 122 S.

22. Fux J. Gradus ad Parnassum. Gradus ad Parnassum. 2 Teile. Leipzig, 1742. Reprint, Hildesheim, Olms Verlag, 2009. 197 S.

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Published

2011-09-06

How to Cite

Blazhevich, M. N. ., & Ushakov, D. F. . (2011). Robert Fludd’s metaphysics of music and number. Vestnik of Saint Petersburg University. Arts, 1(3), 7–31. Retrieved from https://artsjournal.spbu.ru/article/view/772

Issue

Section

Music