Vol. 12 No. 1 (2022)

View Vol. 12 No. 1 (2022)

Published: 2022-04-05

Music

Performing Ornaments in English Harpsichord Music. Part II

Alexei A. Panov, Ivan V. Rosanoff

4-32
- PDF
About Serge Prokofiev’s American Tour at the End of 1920

Natalia P. Savkina

33-49
- PDF (Русский)

Cinematography

Pier Paolo Pasolini and His Myth: “The Trilogy of Life” Half a Century Later

Francisca Foortai

50-68
- PDF (Русский)

Visual arts

Venetian Cinquecento Pictures and France in the 1820s: Painting, Perception, Influence

Valeria D. Sedleryonok

69-89
- PDF
Art Magazines of the Era of the Formation of Postmodernism (The Second Half of the 1970s): The Problem of Influence on the Processes in Art. “October”

Alexey A. Bobrikov

90-122
- PDF (Русский)
The Exhibition “30 Paintings from the Life of Peter the Great”: Memories of the Future

Elena Ya. Kalnitskaya

123-146
- PDF (Русский)
The Quarrel of the Ancients and the Moderns and the Theory of Modernism

Anatoly V. Rykov

147-163
- PDF (Русский)
Calligraphy of Images: Artworks by Yukei Teshima

Nadezhda S. Filonenko, Maria S. Tretyakova

164-179
- PDF (Русский)
Western Prototypes of Ivan Krylov Iconography

Maria A. Chernysheva

180-204
- PDF (Русский)

Reviews

“Mir ist so wunderbar”: Considering Opera Traditions Interaction in “Fidelio” by Beethoven (Modern Musicologists on the Quartet’s Genesis)

Anastasia A. Logunova

205-223
- PDF (Русский)