Vol. 1 No. 2 (2011)

View Vol. 1 No. 2 (2011)

Published: 2011-06-15

Music

French musical drama in Vincent d’Indy’s theater

Valentina V. Azarova

3-18
- Полный текст (Русский)
An analysis of a fuga duplex in the Treatise of a fugue by F. W. Marpurg

Alla I. Yankus

19-33
- Полный текст (Русский)

Theater

Concept of communication in Stanislavsky acting theory

Mikhail A. Ilyin

34-49
- Полный текст (Русский)
The playing nature of Michael Chekhov’s exercises

Elena E. Kuzina

50-58
- Полный текст (Русский)
Opera battle

Sergey V. Mishenev

83-85
- Полный текст (Русский)
Implementation of experience of Russian drama school in the countries of Northern Europ

Eugeny R. Ganelin

68-82
- Полный текст (Русский)
Faculty of actor’s art and direction at St.Petersburg state academy of theatrical art: new stage — new approaches

Eugeny R. Ganelin

86-91
- Полный текст (Русский)

Visual arts

Th e art of ceramics in creative practice of russian painters at the end of the XIX — beginning of the XX centuries

Ksenia G. Pozdnyakova

59-67
- Полный текст (Русский)

Reviews

The inner-bar agogic, alteration of rhythm and articulation: the new concept or old misconception? — S. M. Maltsev. The inner-bar agogic in the German teaching on tact during the XVII–XVIII centuries. St.-Petersburg, 2010

Alexei A. Panov, Ivan V. Rosanoff

92-99
- Полный текст (Русский)