The Italian Tempo Indications and The French Performance Practice of the Baroque, Rococo and Classicism
Abstract
The article is dedicated to the most important and previously less investigated by Russian scholars problems — the influence of Italian terms prescribed by a composer on tempo and affect in performance. The work is based on numerous historical documents and materials, most of which were earlier not considered and examined by Russian and foreign scientists.
Keywords:
tempo, French music, Italian tempo indications, treatises on music, performance practice
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Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.