Effect of “incorporeality” in the “researches of the white” by Salvatore Sciarrino: the second series of paradoxes of “The Logic of Sense (French: Logique du sens)” by Gilles Deleuze as a comparative analysis
Abstract
This article presents an attempt of the interdisciplinary analysis of the compositions by an Italian composer Salvatore Sciarrino. “The Logic of Sense (French: Logique du sens)” by Gilles Deleuze becomes a basis for the key concepts of new music. Having compared the compositions by the Italian composer with “The Logic of Sense”, the author comes to a conclusion about some parallels between new music, literature and philosophy on the basis the theory of sense proposed by the French scientist.
Keywords:
“Incorporeality”
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References
Литература
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References
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4. Stockhausen K. …wie die Zeit vergeht… Stockhausen K. Texte zur Musik. Bde 1–10. Köln, M. DuMont Schauberg, 1963, Bd 1, pp. 99–139.
5. Grisey G., Fineberg J. Did you say spectral? Contemporary Music Review, 2000, Vol. 19, Issue 3, pp. 1–3.
6. Grisey G. “Tempus ex machina”: a Composer’s Reflections on Musical Time. Contemporary Music Review, 1987, Vol. 2, Issue 2, pp. 239–275.
7. Lachenmann H. Musik als existentielle Erfahrung: Schriften 1966–1995. Wiesbaden, Breitkopf/Hartel, 1996. XXVI, 454 S.
8. Lachenmann N. On Structuralism. Contemporary music review. New Developments in Contemporary German Music, 1995, Vol. 12, Issue 1, pp. 93–102.
9. Adorno Th. W. Negative Dialektik. Frankfurt am Main, Suhrkamp, 1969. 406 p.
10. Sharrino S. Issledovanie belogo III dlia udarnykh (1986). Available at: http://www.iscm.ru/index.php?page=composers&id=arensky&composer=sciarrino&work=research (accessed: 01.02.2012). (In Russian)
11. Sharrino S. "Pozvol' mne umeret', ne prosnuvshis'" (1982). Available at: http://www.iscm.ru/index.php?page=composers&id=arensky&composer=sciarrino&work=research (accessed: 01.02.2012). (In Russian)
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Published
2012-11-30
How to Cite
Lavrova, S. V. . (2012). Effect of “incorporeality” in the “researches of the white” by Salvatore Sciarrino: the second series of paradoxes of “The Logic of Sense (French: Logique du sens)” by Gilles Deleuze as a comparative analysis. Vestnik of Saint Petersburg University. Arts, 2(4), 68–75. Retrieved from https://artsjournal.spbu.ru/article/view/1575
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Music
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Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.
