Performing Ornaments in English Virginal and Harpsichord Music (Based on the Study of Original Interpretation Instructions)

Авторы

  • Алексей Анатольевич Панов Санкт-Петербургский государственный университет https://orcid.org/0000-0002-4053-4512
  • Иван Васильевич Розанов Санкт-Петербургский государственный университет; Санкт-Петербургская государственная консерватория им. Н. А. Римского-Корсакова

DOI:

https://doi.org/10.21638/spbu15.2020.103

Аннотация

The focus of the article is centered on the problems of performing ornaments in English virginal music of the Elizabethan and several first decades of Post-Elizabethan time. The paper presents a comparative analysis of information from historical sources, representing the views of early British virginalists regarding the methods and rules which deal with the interpretation of the unique, for that period, ornament signs. Special attention is given to the MS Res. 1186 located in the Bibliothèque nationale de France. Historically, the situation was such that except for information from the MS materials by Edward Bevin (c1630), science did not have any information directly related to the execution of virginal ornamentation. A critical review is undertaken of the scientific literature of the 19th–21st centuries, devoted to the interpretation of early English virginal music, as well as the review of information from reference and encyclopedic literature. Numerous inaccuracies, discrepancies and even serious errors in the interpretation and presentation of materials from early sources by modern researchers are revealed. As a result a generalization is provided in which it is stated that there are many possibilities for performing virginal ornaments marked by double oblique strokes, but not playing them from the above auxiliary note except in the cadential (semi- and quasi-cadential) contexts. The article also examines the possible correlations between performing principles of English virginalists and the practical recommendations from the well known Spanish, Italian, German and French treatises from the analyzed period.

Ключевые слова:

Ornamentation, English virginal music, Edward Bevin, William Byrd, John Bull, Orlando Gibbons, Thomas Tallis, John Blow, Blitheman

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Биографии авторов

Алексей Анатольевич Панов, Санкт-Петербургский государственный университет

доктор искусствоведения, профессор, заведующий кафедрой органа, клавесина и карильона, член правления российского национального Общества теории музыки

Иван Васильевич Розанов, Санкт-Петербургский государственный университет; Санкт-Петербургская государственная консерватория им. Н. А. Римского-Корсакова

доктор искусствоведения, профессор кафедры органа, клавесина и карильона факультета искусств Санкт-Петербургского государственного университета, профессор кафедры органа и клавесина Санкт-Петербургской государственной консерватории им. Н. А. Римского-Корсакова

Библиографические ссылки

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Опубликован

20.03.2020

Как цитировать

Панов, А. А., & Розанов, И. В. (2020). Performing Ornaments in English Virginal and Harpsichord Music (Based on the Study of Original Interpretation Instructions). Вестник Санкт-Петербургского университета. Искусствоведение, 10(1), 41–67. https://doi.org/10.21638/spbu15.2020.103

Выпуск

Том 10 № 1 (2020)

Раздел

Музыка

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