Vol. 14 No. 3 (2024)

View Vol. 14 No. 3 (2024)

Published: 2024-09-06

Music

Operа in the Silent Film: The Case of “Der Rosenkavalier”

Natalia O. Vlasova

452–468
- PDF (Русский)
N. A. Rimsky-Korsakov. Prelude and Fugue G major in the Composer’s Autograph

Alla I. Yankus

469–487
- PDF (Русский)

Visual arts

The Image of Gregory the Illuminator in Romanian-Armenian Icon Painting

Seyranush S. Manukyan, Shoghakat V. Devrikyan

488–503
- PDF
Vigilius Eriksen’s and Stefano Torelli’s Portraits of Catherine II in Russian Dress: Two Competing Images of Russianness? Part I

Ekaterina A. Skvortsova

504–522
- PDF
Yu. I. Kuznetsov — Investigator of the 17th Century Dutch and Flemish Art

Sergey S. Akimov

523–542
- PDF (Русский)
Sofonisba Anguissola: “Celebre”, “Forgotten” or “Great”? The Main Problems in the Historiography of Creativity

Ekaterina S. Novikova

543–560
- PDF (Русский)

Architecture

Wooden Church Architecture of Kargopol and the River Onega Areas in 17th–18th Centuries

Evgeny V. Khodakovsky

561–580
- PDF (Русский)

Choreography

Book-album “Choreography” by Vladimir Stepanov in the Formation of Classical Dance Method in Russia

Leonid A. Menshikov, Violetta V. Zhirova

581–598
- PDF (Русский)

Decorative and applied arts

Some Questions of Artistic Design of the “New Testament” of 1702 from the Collection of the State Hermitage

Olga N. Maltseva, Polina V. Zapadalova

599–614
- PDF (Русский)
The Iconography of a 17th Century Amber Casket: Problems of Reconstruction and Context

Irina A. Polyakova

615–633
- PDF (Русский)