“The Logic of sense” by Gilles Deleuze in a musical composition by Helmut Lachenmann: an experience of the comparative analysis of the first series of paradoxes

Authors

Abstract

The article focuses on the comparative analysis of “The Logic of sense” by Gilles Deleuze and some features of musical composition of the 20th century represented by works by German composer Helmut Lachenmann. The interdisciplinary approach to the analysis of a musical composition of the 20th century is of current interest. The analysis of Lewis Carroll’s paradoxical way of thinking reflected in his book Alice’s Adventures in Wonderland and comprising the first series of Deleuze’s paradoxes is compared with similar ideas in Helmut Lachenmann’s music. Such analysis helps to explain the German composer’s esthetic views on art and their reflection in music by means of modern musical techniques.

Keywords:

the logic of sense, musical composition, the analysis of a series of paradoxes

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Author Biography

Svetlana V. Lavrova, Saint Petersburg State University

associate professor, PhD, composer, member of the Union of composers of Russia

References

Литература

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References

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5. Berio L. Two Interviews, Marion Boyars. New York, 1981.

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Published

2011-03-15

How to Cite

Lavrova, S. V. (2011). “The Logic of sense” by Gilles Deleuze in a musical composition by Helmut Lachenmann: an experience of the comparative analysis of the first series of paradoxes. Vestnik of Saint Petersburg University. Arts, 1(1), 41–46. Retrieved from https://artsjournal.spbu.ru/article/view/587

Issue

Vol. 1 No. 1 (2011)

Section

Music

License

Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.

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