The Italian tempo indications in the British and American performance practices of the Baroque, Rococo and Classicism
Abstract
The article discusses the most important and previously less complexly studied by Russian scholars problems — the influence of the prescribed Italian terms by a composer on tempo and affect in performance. The work is based on numerous historical documents and materials, most of which have not so far been considered and examined by Russian and foreign scientists.
Keywords:
tempo, Italian tempo indications, treatises on music, performance practice
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Articles of "Vestnik of Saint Petersburg University. Arts" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.