Vol. 1 No. 4 (2011)

View Vol. 1 No. 4 (2011)

Published: 2011-11-10

Music

Italian tempo indications and German performance practice of the 17th–18th centuries

Alexei A. Panov, Ivan V. Rosanoff

3-58
- PDF (Русский)
Composer — performer — score: paradoxes in Romantic performing art

Vladimir P. Tchinaev

59-71
- PDF (Русский)

Theater

On the history of the catholic theatre in 20th century

Inna A. Nekrasova

72-80
- PDF (Русский)
Active analysis method: M. O. Knebel and G. A. Tovstonogov

Andrey A. Smolko

81-87
- PDF (Русский)

Cinematography

M. Tariverdiyev’s cinematography of 1960s: break through "the future of the sound film"

Natalia V. Pintverene

88-96
- PDF (Русский)

Visual arts

Composition “About You happy” in the liturgical context of the Yaroslavl and Rostov temples altar paintings of the second half of 17 century

Alexandra V. Vasiljeva

97-105
- PDF (Русский)
Jacob Epstein and Henry Gaudier-Brzheska. Origin of modern British sculpture

Alexander O. Kotlomanov

106-114
- PDF (Русский)
Barberini Faun. Understanding the image of “ingenuous nature”

Alexander G. Sechin

115-125
- PDF (Русский)
The evolution of costume and ethnographic albums as illustrated publications in European art of the third quarter of the 18th–19th centuries

Ekaterina A. Skvortsova

126-132
- PDF (Русский)
Рainter and tradition. The paintings by Salvador Dali of 1920s in the context of Catalan neoclassicism

Olga O. Pavlova

133-141
- PDF (Русский)

Design

Theater posters by Uwe Loesch (on the history of modern graphic design in Germany)

Oksana A. Vashchuk

142-150
- PDF (Русский)

Translations

Florilegium Primum by Georg Muff at: Translation and Commentary

Alexei A. Panov, Ivan V. Rosanoff

151-156
- PDF (Русский)