Vol. 3 No. 3 (2013)

View Vol. 3 No. 3 (2013)

Published: 2013-07-16

Music

Christian ideas and symbols in operas by Paul Dukas and Olivier Messiaen

Valentina V. Azarova

3-15
- PDF (Русский)
Temporary intersections of new music and G. Deleuze’s philosophy: Eon, Husserl’s “consciousness horizon” and “Hours of Bergson”

Svetlana V. Lavrova

16-24
- PDF (Русский)
Sacred works by Felix Mendelssohn-Bartholdy: “Offering to J. S. Bach”?

Ekaterina I. Porizko

25-32
- PDF (Русский)

Cinematography

Russian screenwriting in the 1910–1920s

Anna O. Kovalova

33-47
- PDF (Русский)

Visual arts

Pastoral genre in Antoine Watteau’s paintings

Julia N. Belova

48-58
- PDF (Русский)
The poetics of the British myths and legends in the creative works by John Martin

Tatiana P. Evseeva

59-70
- PDF (Русский)
Public art: the pages of history. Public sculpture in post-war Britain

Alexander O. Kotlomanov

71-79
- PDF (Русский)
The classical tradition in the works of Petr Konchalovsky

Alexander M. Muratov

80-92
- PDF (Русский)
Pieter Bruegel. The Blind

Leonid D. Raigorodski

93-99
- PDF (Русский)

Architecture

Unknown Lars Sonck — Unfulfilled Projects

Margarita K. Kabakchi

100-112
- PDF (Русский)

Design

Discoursive modelling of a design product

Galina N. Lola

123-129
- PDF (Русский)

Restoration

On history of restoration of Russian artistic furniture

Vladimir S. Torbik

113-122
- PDF (Русский)

Miscellania

The typology of the coastal strip in the urban environment

Leonid P. Lavrov

153-164
- PDF (Русский)

Interdisciplinary studies

Postmodernism: bringing art and science together

Alisa R. Karapetian

130-135
- PDF (Русский)
Echoes of Ancient Physiognomics in Mozart’s Singspiel Libretto “Zaide”

Alexander G. Sechin

136-152
- PDF (Русский)

Reviews

“Icons” aft er “The end of fun”: two episodes from St. Petersburg’s artistic life

Alexander O. Kotlomanov

165-169
- PDF (Русский)
Invisible typography. Review of the monograph “Swiss school of graphic design” by Vaschuck O. A. Origin and development of international typographic style”, 2013

Vladimir Ph. Sidorenko

170-173
- PDF (Русский)