Vol. 9 No. 2 (2019)

View Vol. 9 No. 2 (2019)

Published: 2019-05-30

Music

From the Memoirs of Marianne Brandt (on the First Productions of Operas by Ric hard Wagner and Anton Rubinstein)

Natalia O. Vlasova

204-237
- PDF (Русский)
On the Circumstantial Context of J. S. Bach’s Canon super Fa Mi BWV 1078

Anatoly P. Milka

238-255
- PDF
Harrison Birtwistle’s “Orpheus-Project”: Images of Melancholy

Tatiana V. Tsaregradskaya

256-279
- PDF

Visual arts

Traditions of Connoisseurship (Jian) and Eccentricity (Xie) in Fu Shan’s Calligraphy (1607–1684)

Vera G. Belozerova

280-299
- PDF (Русский)
Alexander Benois and the Artistic Heritage of France of the 18th Century

Anna E. Zavyalova

300-324
- PDF (Русский)
The Russian Bear and the Revolution: The Bear Metaphor for Russia in Political Caricatures of 1917–1918

Andrzej de Lazari, Oleg V. Riabov, Magdalena Zakowska

325-345
- PDF
Rhetorical Figures of Viewing in Classical and Academic Art

Alexander G. Sechin

346-370
- PDF (Русский)
Flora, Laura, and Others: The Allegorized Pictures of Beautiful Women in Early Cinquecento Venetian Art

Evgeny V. Yaylenko

371-396
- PDF (Русский)

Architecture

The Background and Main Stages in the Formation of Eclectic Architectural Styles in the Province of Guangdong (Mid 19th — First Half of the 20th Century)

Anton A. Kim, Vera I. Luchkova

397-420
- PDF (Русский)