Structural thinking and polyvalence principle in the European musical composition of the last third of the XX century in the context of Gilles Deleuze’s “The Logic of Sense”

Authors

Abstract

The article represents a tentative analysis of semantic units in a sentence and structural units in composition of new music. The ratio of surplus and lack of structural thinking represents a paradox, which is very characteristic for new music and its composition structure. The article identifies three levels of interactions. The first is a pre-composite level: generating initial “matrix” of composition, an overall idea, which determines all other levels of composition. The second is a multiserial structure with complex interrelation of various aspects of musical material in compositions of “new complexity”. And the third level is Organizing a whole Temporary grid [Zeitnetz] of H. Lachenmann’s — an extended succession of serially permuted and rhythmic sounds which carry out functions of the abstract indexes fixing the introduction or “switching off ” of various sound sets, culmination zones and etc. The treatise by Gilles Deleuze “Logic of sense” and the statement of composers about structuring musical composition becomes a main concern of the article.

Keywords:

structure, polyvalence

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Author Biography

Svetlana V. Lavrova, Saint Petersburg State University

PhD, associate professor of the Department of Organ, Harpsichord and Carillon of the Faculty of Arts, member of the Union of composers of Russia

References

Литература

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References

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Published

2013-03-18

How to Cite

Lavrova, S. V. . (2013). Structural thinking and polyvalence principle in the European musical composition of the last third of the XX century in the context of Gilles Deleuze’s “The Logic of Sense”. Vestnik of Saint Petersburg University. Arts, 3(1), 3–8. Retrieved from https://artsjournal.spbu.ru/article/view/1642

Issue

Section

Music

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